Browse Items (117 total)

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Unlike many sculptural representations of Sojourner Truth, Elizabeth Catlett’s work is geometrized and slightly abstracted. Truth is shown with her arms crossed at her chest as she tilts her head skyward, her eyes closed. The flared skirt of her…

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A life-size sculpture of the abolitionist Frederick Douglass stands atop the staircase at the West 77th Street entrance to the New-York Historical Society. Douglass gazes forward, holding a pair of books in his left hand, while his right arm rests…

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The statue depicts a male freedom seeker from the waist up. His head is turned to his right shoulder, looking back toward the south and leaning to the north as he presses down with his hands on a stone circle to hoist himself out of an underground…

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Located on the sandy shores of Ouidah, Benin, the monumental concrete red, white, and yellow-painted gate and the metallic sculptures that flank it, commemorate the horrors of the Transatlantic Slave Trade. The memorial gate, which marks the point…

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"In From Absence to Presence, the tectonic form of a slave quarter materializes from the ground up evoking how this history was uncovered from archaeological research – making the invisible visible. The surfaces are gradated in a pattern of staggered…

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The monumental bronze figure of Sojourner Truth stands behind a concave wall, on an elevated semi-circular stage. She stands to the left of a lectern, her left arm outstretched at her side as she looks out at an imagined audience. She places her…

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Railroad tracks emerge from the ground, reaching upward. This sculpture commemorates Oberlin's role in the Underground Railroad. Cameron Armstrong (then a senior at Oberlin College) created the sculpture in 1977 as part of a class art project.

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The museum, housed in a silver-latticework structure on the site of the former Darboussier sugar factory along the Pointe-à-Pitre waterfront, is dedicated to the history of the slave trade and slavery. The museum includes permanent exhibitions…

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An elder Frederick Douglass is depicted seated on a scissors chair— the armrests are adorned with the faces of open-mouthed lions, while the chair’s legs have been carved in the shape of lion’s legs. In bas-relief, the chair’s back is embellished…

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From "On the Removal of Statues": Ball’s composition includes two figures, one fully clothed, the other semi-nude. Due to the dozens of photographs that survive from the 1860s, we recognize that the standing bearded man is Abraham Lincoln. Dressed in…
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