Browse Items (12 total)

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The Path of Thorns and Roses is an 18-foot high sculpture that spirals upwards and includes six allegorial figures: Oppression (a semi-nude male figure), Struggle (a semi-nude male figure at the base of the sculpture), Sacrifice (a woman who grasps…

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The Amistad Memorial centers around a large bronze triangular prism adorned with sculptural reliefs, depicting scenes from the life of Sengbe Pieh.In 1839 Pieh led a revolt of abducted Africans against their captors on the Spanish slave ship, the…

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The memorial includes a stone tabletop supported by 300 bronze male and female African American figures, their arms raised over their heads as they collectively hold the weight of the tabletop. The differing dress of the figures-- some are shown in…

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The memorial is composed of a number of distinct elements. A rectangular granite stele on State Street marks the memorial’s entrance. On one side, below the engraved text that reads “African Burying Ground Memorial,” a life-size bronze figure of a…

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The memorial is located in the Freedman Cemetery in Dallas, Texas. Established in 1861, it is one of the largest Freedman's cemeteries in the country. A Texas Red granite archway marks the entrance to the memorial. Two niches, located on either side…

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The monumental work includes two bronze walls featuring figural scenes celebrating 400 years of African Americans’ contributions to Texas history. Decorated on both front and back, Dwight includes depictions of African Americans engaged in the…

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The memorial sits on .35 acres and includes seven distinct design features: Wall of Remembrance, Ancestral Re-Interment Grove, Memorial Wall, The Ancestral Chamber, Circle of the Diaspora, Spiral Processional Ramp, and The Ancestral Libation…

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Located on the sandy shores of Ouidah, Benin, the monumental concrete red, white, and yellow-painted gate and the metallic sculptures that flank it, commemorate the horrors of the Transatlantic Slave Trade. The memorial gate, which marks the point…

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Sited on the tourist promenade of River Street, the work depicts a black family in contemporary dress. The father, mother, daughter, and son hold one another in a tight embrace as they stand on broken chains. Along the base of the work are engravings…

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"In From Absence to Presence, the tectonic form of a slave quarter materializes from the ground up evoking how this history was uncovered from archaeological research – making the invisible visible. The surfaces are gradated in a pattern of staggered…
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