Browse Items (117 total)

Caught mid-stride, the over life-size bronze statue of Frederick Douglass stands in front of Holmes Hall on the campus of Morgan State University, a historically black university in Baltimore, MD. The bearded Douglass holds a cane in his right hand…

A life-size sculpture of the abolitionist Frederick Douglass stands atop the staircase at the West 77th Street entrance to the New-York Historical Society. Douglass gazes forward, holding a pair of books in his left hand, while his right arm rests…

Sculptor Stanley W. Edwards modeled Douglass with his shoulders back, feet planted squarely forward, and his arms outstretched with his palms open as if he were addressing an audience. Mounted on the statue's pedestal are four bronze plaques, three…

To mark the bicentennial of Frederick Douglass’ birth, the City of Rochester, NY, commissioned Olivia Kim to create thirteen live-size portraits of Douglass, placing them throughout the city at sites significant to Douglass’s life and work. Kim took…

The ten-foot-tall bronze statue of a young Frederick Douglass casts his gaze forward and ever-so-slightly downward toward an imagined viewer. Standing squarely forward, Douglass' left knee is slightly raised as if he were on the verge of walking off…

The memorial is located in the Freedman Cemetery in Dallas, Texas. Established in 1861, it is one of the largest Freedman's cemeteries in the country. A Texas Red granite archway marks the entrance to the memorial. Two niches, located on either side…

From "On the Removal of Statues": Ball’s composition includes two figures, one fully clothed, the other semi-nude. Due to the dozens of photographs that survive from the 1860s, we recognize that the standing bearded man is Abraham Lincoln. Dressed in…

The monument consists of five bronze sculptures. The subjects are a family of freedom seekers including a father, mother and baby; Lewiston's Underground Railroad Station Master, Josiah Tryon; and the fictional heroine, Laura Eastman, from the…

"In From Absence to Presence, the tectonic form of a slave quarter materializes from the ground up evoking how this history was uncovered from archaeological research – making the invisible visible. The surfaces are gradated in a pattern of staggered…

The muscular, semi-nude figure looks resolutely forward as he raises a machete in his right hand and holds a long (sugar cane?) in his left. A shackle with a broken chain is still attached to his left wrist. The work was created to celebrate Gaspar…