Browse Items (96 total)

Photograph of Redemption Song in Kingston, Jamaica. Statue of a male and female nude figures, shown from the knees up, face one another as they gaze skyward.
Redemption Song centers two bronze nude figures, a Black female and a Black male. Laura Facey modeled the figures from the knees up, standing in a cast-iron domed fountain and with water flowing at their knees. They face one another as they tip their…

Photograph of Desenkadená/Unchained in Willemstad, Curaçao. Three figures are breaking free from the chains that bind their wrists. The central figure is flanked by a man and woman, both of whom gaze at him as he breaks their chains. The “chain breaker,” a muscular, semi-nude man, stands in front of an anvil.
The over life-size bronze sculptural group depicts three figures, two men and one woman. As the title of the work, Desenkadená (Unchained) suggests, the figures are breaking free from the chains that bind their wrists. The central figure is flanked…

Photograph of Le Marron Inconnu from Port-au-Prince, Haiti. The bronze sculpture depicts a man, kneeling on his right leg. His left leg is outstretched behind him with  a broken iron chain on the ground around his left foot. He arches his torso back as he holds a conch shell to his lips with his left hand, tilting his head upward
The bronze sculpture depicts a man, clad only in torn shorts, kneeling on his right leg. His left leg is outstretched behind him; a broken iron chain lays on the ground around his left foot. He arches his torso back as he holds a conch shell to his…

The Reconciliation Memorial in Richmond, Virgina, is comprised of  bronze torsos of two abstracted figures, engaged in a tight embrace, emerging from a rectangular bronze base. This work includes the addition of bronze low-relief designs, reflecting images related to the slave trade, including a topographic map of the James River, birds following slave ships, chains with manacles, and a port with lifts pulling up cotton bales.
The bronze torsos of two abstracted figures, engaged in a tight embrace, emerge from a rectangular bronze base. This work includes the addition of bronze low-relief designs, reflecting images related to the slave trade, including a topographic map of…

Originally placed in Cotonou, Republic of Benin, the bronze statue is now relocated to Ouidah. Unlike the version in Liverpool, this work includes the addition of bronze bas-relief designs, reflecting images related to the transatlantic slave trade, including cotton plants, chains, and industrial factories.
Originally placed in Cotonou, Republic of Benin, the bronze torsos of two abstracted figures, engaged in a tight embrace, emerge from a rectangular bronze base. Unlike the version in Liverpool, this work includes the addition of bronze bas-relief…

The Reconciliation Memorial in Liverpool is made up iron torsos of two abstracted figures, engaged in a tight embrace, emerge from a rectangular iron base. Two other identical sculptures were erected in 1989 in Belfast, Northern Ireland, and Glasgow, Scotland.
The iron torsos of two abstracted figures, engaged in a tight embrace, emerge from a rectangular iron base. Two other identical sculptures were erected in 1989 in Belfast, Northern Ireland, and Glasgow, Scotland. According to the artist, Stephen…

The Ark of Return serves as a memorial to honor the victims of slavery and the transatlantic slave trade. Constructed from white marble, the memorial is a triangular structure with clean geometric lines and faceted surfaces, giving it a modern yet solemn appearance. A triangular portal in the structure allows visitors to walk through the interior.
The Ark of Return serves as a memorial to honor the victims of slavery and the transatlantic slave trade. Constructed from white marble, the memorial is a triangular structure with clean geometric lines and faceted surfaces, giving it a modern yet…

Photograph of the Texas African American History Memorial in Austin Texas. The top of the monument is adorned with two figures standing on a base that reads “Emancipation.” Both figures, one male, one female, have the cuffs of broken shackles and chains around their wrists. Two bronze walls/bas-reliefs extend from the base of the pedestal and feature figural scenes celebrating 400 years of African Americans’ contributions to Texas history.
The monumental work includes two bronze walls featuring figural scenes celebrating 400 years of African Americans’ contributions to Texas history. Decorated on both front and back, Dwight includes depictions of African Americans engaged in the…

Photograph of the South Carolina African American History monument in Columbia, South Carolina, looking towards the South Carolina Capitol. Two semicircular gray granite walls, inlaid with twelve bronze panels illustrating 300 years of African American history, frame an obelisk and pedestal.
Two semicircular gray granite walls, inlaid with twelve bronze panels illustrating 300 years of African American history, frame an obelisk and pedestal. The twelve scenes of African American history include images of the Middle Passage, an African…

Knockin' On Freedom's Door in Peoria, Illinois. The bronze and stainless steel sculpture is placed on wall outside the convention center.
Preston Jackson‘s monumental bronze and stainless steel Knockin’ on Freedom’s Door is located on the site of the former Pettengill House in Peoria, an important station on the Underground Railroad. The work features multiple bronze sculptural groups…
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